从渴求到追求:《金色笔记》的生态女性主义英语解读

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论文字数:23652 论文编号:sb2019030809321725293 日期:2019-03-25 来源:硕博论文网
本文是一篇英语论文,本文以生态女性主义为视角,对《金色笔记》中的女性从渴求人类与自然平等、性别平等到自我身份重构和追求万物和谐的心路历程进行分析,揭示出莱辛的生态女性主义意识,进而引出其对人与自然、男性与女性冲突的深层次思考,呈现出其对矛盾根源和实现人与自然,促进男性与女性关系和谐的独特视角。

1 Introduction

1.1 Doris Lessing and The Golden Notebook
Doris Lessing (1919-2013) is recognized as the greatest English  writer  of  the  postwar  period,  with her masterpiece, The Golden Notebook, as her best-loved and most influential work. Doris Lessing had been  nominated  for  the  Nobel  Prize  for  Literature  several times  and  awarded  the  Nobel  Prize  for Literature in 2007. 
Doris Lessing was born on October 22, 1919 in Iran. Her parents were  from Britain.  At  the  age  of five, she, together with her parents, moved to Rhodesia, Africa. She lived in the poor family for nearly 20 years. She dropped out of school at the age of 15 and studied at home. Lessing started to work at the age of 16. She was active in the left-wing political movement against colonialism when she was young. 
Doris Lessing is a productive female writer. Her first book The Grass Is Singing was published in 1950, which marked the starting of Lessing’s career as a writer. It’s also this book that made Doris Lessing well-known  in  literature  field  overnight.  This  book  reveals racial  oppression  and  racial  conflicts  in colonial Africa through the story of a black male servant killing a white female host. Her other works include The Cleft, Walking in the Shade, The Children of Violence, Love, Again and The Fifth Child except The  Golden  Notebook and  The  Grass  Is  Singing.  The  themes  of  Lessing’s  works  range  from  political topics, feminism, to  environmentalism. Lessing was so famous in the  literature circle that many of her works were translated into many languages, such as Chinese, French, German, Russian, and Polish.
The  Golden  Notebook  is  the  representative  work  of  Doris  Lessing.  It’s  quite  different  from  the traditional fiction in the form and narrating style. This book consists of five colored notebooks, which are black, red, yellow, blue and golden. The four notebooks whose entries separate the five “Free Women” sections are written during a seven-year period beginning in 1950 and ending in early 1957. The black notebook  looks  back  on  Anna’s  sojourn  in  Africa  during  World  War  II, Frontiers  of  War,  a  novel  she wrote about this time, and her encounter with the literary establishment. The red notebook is a journal of Anna’s membership in the British Communist Party. In the later yellow, blue and golden notebooks, the novel  moves  from  historical  realism  to  modernist  interiority  with  its  focus on  Anna  as  a  writer  who analyzes sexual and emotional relationship of women and men. 
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1.2 Literature Review of The Golden Notebook
Since its publication in 1962, The Golden Notebook has received vast amounts of literary criticism from a great variety of perspectives at home and abroad.
1.2.1 Studies Abroad
With a great number of readers and followers, Doris Lessing is deemed as one of the most famous writers of the day. However, it took a long time for The Golden Notebook to become a masterpiece and get known by readers. There are doubts and disputes about this book since its publication in early period. The study of The Golden Notebook started in the 1960s in the western academic circle, and witnessed a boom from the 1970s to the 1990s. It continues to draw academic attention nowadays for it documents women’s crisis of identity and the worsening environmental situation.
Artistic  technique  study  and  theme  study  are  two  main  categories  of  the  research  of  The Golden Notebook in the upsurge period.
The  theme  study  of  Doris  Lessing’s  The  Golden  Notebook  centers  on  the  perspectives  of psychology, religion and feminism. 
Many  scholars  analyze this  book  from  the  perspective of  feminism,  which is  the hottest  focus of the research orientation. Some critics deem this novel as a representative work of feminism. Margaret Drabble,  a  British  novelist,  praises  The  Golden  Notebook  as  “document  in  the  history  of  women’s liberation”.Elaine  Showalter,  an  American  feminist,  hails  The  Golden  Notebook  as  “the work  of essential feminist implications.”
The  feminist  analysis  of  The Golden Notebook  often  connects  with  the  theme  of  freedom,  which includes two aspects: one is the concern over women’s living predicament and social status, the other is the  contradiction  and  connection  between  individualism  and communism.  Ellen  Morgan  stresses  that patriarchal value and traditional social orders lead to women’s alienation and psychological breakdown in  the  thesis  Alienation  of  the  Woman  Writer  in  The  Golden  Notebook.Shirley  Budhos  analyzes  the writer’s resistance  against  social  and  psychological  enclosure  and  the  implication  of  the  title  “Free Women”  in  the  thesis  The  Theme of Enclosure  in  Selected  Works  of  Doris  Lessing.Margaret  Moan Rowe points out  in  her  book  Doris  Lessing  that  Doris  Lessing describes  the  predicament  of  a woman writer  through  the  breakdown  of  the  female  character  in  The Golden Notebook.  There are  also  some critics  insisting  that  the  theme  of  The Golden Notebook  mainly  falls  in  the  art  and  representation  of reality. John L. Carey insists that Anna’s use of naming experiences is a way of differentiating art and reality. Jean Pickering holds that Doris Lessing’s The Golden Notebook conveys the essence of art and the life experience in a very complicated way in her work Understanding Doris Lessing.
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2 Women’s Craving for Nature

2.1 Kinship between Women and Nature
Assimilating  the  essence  of  both  feminism  and  ecology,  ecofeminism  assumes  “a  close  affinity, kinship or biological correspondence of women to nature, and divine immanence.”
In this sense, women have been identified with nature, and women and nature have both been seen as objects  to  be  dominated  by men.  As  a  great  masterpiece  penetrated  with  ecofeminist  theology,  The Golden  Notebook  is  a  novel  mixed  with  diary  and short  stories  replete  with  minute  details  revealing women’s thoughts and concerns about nature.
2.1.1 Naturalized Women
In The Golden Notebook, Anna fancied herself to be a flower in a bottle. A bird’s coos were used to describe  Molly’s  voice.  Such multiple  references  to  kinship  of  women  with  nature  suggest  Lessing’s nostalgia for her life experiences in Africa, from which the prototypes of her naturalized woman images in The Golden Notebook are created. In describing the  central Africa in the black notebook, Doris Lessing draws on her own experience of living in Southern Rhodesia from five years old until she migrated to Britain. 
Doris  Lessing  was  brought  up  in  Zimbabwe,  a  southern  African  country,  from  which  she  draws endless inspiration for her literary creation. Just as Lessing said in her African Stories, “I believe that the chief gift from Africa to writers, white or black, is the continent itself... Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape.”
Her  happy  childhood  is  totally  immersed  in  the  African  landscape,  so  she  develops  a  strong relationship with its natural environment.  Just  like in My Mother’s Life,  she gives a vivid account of the countryside, expressing her inborn love for nature. 
“It is still a wilderness that my parents were taking on. Not one acre had been cleared for planting... It is  virgin  bush...  Every  kind  of  animal  lived  there:  sable,  eland...  All  day  birds  shrilled  and  cooed  and hammered and chattered.”
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2.2 Men’s Abuse of Nature and Nature’s Revenge
In the light of ecofeminism, in the male-dominated patriarchal society, nature is under domination and utilization of human beings. Nature has been degraded to the position of a resource reservoir which satisfies the needs of human beings. According  to  a number of the ecofeminist  contributors like Loris Gruen and Marti Kheel, “there exist a parallel between men’s exploitation of women and human beings’ domination of animals.
2.2.1 Abuse of Nature
In  The Golden Notebook, especially in the part of the black notebook, the narrative of men killing animals can be omnipresent in the novel. When Mr. Boothby “fancied a pigeon pie”,④  he would just take out a gun to the small vlei down there to shoot some. Sadly enough, this random attitude clearly shows that humans depreciate and neglect nature. Birds mean nothing but food that only satisfies their insatiable appetite. Intriguingly, the deliberate deployment of “pigeon” by Doris Lessing makes a special hint to readers. Unlike other birds or animals, the pigeon is the symbol of peace, which should be cherished by all peace-loving humans. It is a great pity that men are ignorant of this and even take pigeons as only an ingredient source for their meat pie.
When they went hunting, Paul bloodily shot pigeons with his rifle in the kopjes. “Pigeon cooed on. It was visible, a small… bird... Paul took up the rifle, aimed and shot. The bird fell, turning over and over with loose wings, and hit earth with a thud we could hear...”① Paul and Jimmy’s destroying nature can be clearly seen from the above description. Pigeons were shot and fell on the ground, and the sound of hitting earth can be heard by around people, which reveals the bloodiness and cruelty of men abusing nature. What’s more, when Paul asked Mrs. Boothby how many pigeons will do, Mrs. Boothby answered that “There’s not much use with less than six, but if you can get enough I can make pigeon pie for you as well. It’d make a change…” Jimmy said: “Six will be enough, because none of us will eat this pie…”②  Seen in this light, six pigeons clearly outnumbered the reasonable needs for this group of people making pigeon pie. Jimmy said six would be enough and he wanted to stop the hunting. However, Paul didn’t think so, and he answered directly “I shall certainly eat of it, and so will you. Do you really imagine that when that toothsome pie… is set before you, that you will remember the tender songs of these birds so brutally cut short by  the crack of doom?”③  Pigeons are merely meat for Paul, and he devalues animals’ meaning for men. He didn’t stop hunting even when the pigeons are  already  enough  to  satisfy the normal needs for these people. He abused nature without a sense of regret. In the eyes of Paul, man is the dominator of nature and nature only serves for man’s appetite.
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3 女性对男性的渴求 ............................... 16
3.1  对父爱的渴求 ................................ 16
3.1.1 父爱的缺失 ............................. 16
3.1.2 渴求的破灭 ........................ 17
4 女性超越自我的追求................................. 24
4.1  自我身份的追求 ............................ 24
4.1.1  日记作为身份重构的手段 ......................... 24
4.1.2  自我身份的重构 ........................ 26
5 总结 ..................... 30

4 Women’s Pursuing Self-transcendence

4.1 Pursuit of Self-identity
As a woman writer in the patriarchal society, Anna writes her fiction for a living and keeps a diary for recording her past and daily events. One effect of the patriarchal domination in language is the silencing of the other, which is evidenced by the  film company’s request of adapting her fiction, Frontiers of War for  production.  So  in  some  sense,  the  dominated  patriarchal  language  has  unavoidably penetrated  the feminine writing. However, admittedly there exists a virgin land of diaries, in which women can listen to their own voices and pursue their self. According to H. Porter Abbott, Anna keeps diary as a “therapeutic quest for self-discovery”.
4.1.1 Diary Writing as a Means of Pursuit
In terms of the form of novel, The Golden Notebook is based on the constant interplay between the diary entries and the novel entitled “Free Woman”.  Seen in this light, the diary entries in The Golden Notebook comprise the bulk of the four notebooks and the “Free Woman” Section, which Anna finally produces out of the diary material as well. Her diaries, organized and written in distinguishable colored notebooks,  correspond  to  a  different  part  of  her  life  respectively.  In  the  “envelope”  of  the  five  “Free Women” section, Anna Wulf attempts to compartmentalize her experiences:
“I keep four notebooks, a black notebook, which is to do with Anna Wulf the writer; a red notebook, concerned with politics; a yellow notebook, in which I make stories out of my experience; and a blue notebook which tries to be a diary.”
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5 Conclusion

reference(omitted)

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