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空间设计里的人文情怀

论文作者:www.51lunwen.org论文属性:作业 Assignment登出时间:2014-12-08编辑:Cinderella点击率:6255

论文字数:6262论文编号:org201411151708114874语种:英语 English地区:美国价格:免费论文

关键词:designambience空间设计创新

摘要:传统的空间设计过程中,人们更多关注在物质的、可见的实体环境。殊不知,那些不可见的、精神层面的设计创新是一个好设计不可或缺的。良好的空间氛围需要以人为本,需要人文关怀。好设计是物质与心灵的双重满足。

可见的和不可见的,物质上的与精神上的,这些是影响我们针对某一特定空间环境设计所产生的印象的两大主要因素。设计师在其中起到了至关重要的作用,在当今社会,设计师们似乎对设计的美感投入了更大的精力,这种美感能够使人们从可见的、物质层面感受到愉悦和满足。那么那些不可见的、精神层面的东西呢?难道它们对于设计创新而言不如可见的物质部分一样重要吗?“设计思维”是提姆▪布朗提出的方法论,他既关注人们行为需求与偏好的商业、科技部分,又坚持以人为中心。在创造新的设计过程当中,他主要有这样三个阶段:灵感,构思,实施。这些因素充分体现了不可见的、精神层面的设计创新的重要性。

 

那么,要去影响人们的观念、行为和情绪需要些什么呢?“我们能看透事物本身;这个世界就是我们所看见的世界”(庞蒂,1969)。如果我们问自己“我们是什么”,“看见是什么”,“这个事物或者这个世界是什么”,我们将陷入重重矛盾与困境。人们总是能很自然的使自身与周边环境相协调。

 

The visible and the invisible, the physical and the mental, these are the two main groups of elements which affect our perceptions toward a certain designated space ambience. The designers play a major part in it, and these days, it seems that some designers focus more on the aesthetic side of the creations, which fulfills the visible and physical parts for human’s pleasures and desires, so what about the invisible and the mental parts? Aren’t they as important as the visible and physical parts for the design innovations? “Design thinking”, it is a design methodology by Tim Brown, who takes a human-centered approach, along with business and technology considerations of human behavior, needs and preferences, which demonstrates the practice of the important values bring out by the invisible and mental design innovation throughout the whole process of creating a new design with three main stages, inspiration, ideation and implementation.

 

So what does it take to influence people’s perceptions, behaviors & emotions? “We see the things themselves; the world is what we see” (Ponty, 1969). If we ask ourselves what is this WE, what SEEING is, and what the THING or WORLD is, we enter into a series of difficulties and contradictions. It is natural for human beings to be attuned to their surroundings. A physical environment affects various aspects of an individual: physically, emotionally, psychologically and socially. It defines individuality, coming to terms to the human side of our preferences and the choices we make.

 

In design the designer’s choices, preferences and ideas are as important as the client’s choices, preferences and ideas. In most cases if not all, the designer needs to come to the terms of the client’s needs and wants. The distinction between the terms, needs and wants, is a way of describing the difference between what is that truly necessary for a person’s activities against what a person asks for. When this happens the designer is actually creating that solution which answers the various requirements of a human-centered design.

 

A term commonly used to describe human-centered design is called ambiance. What is ambiance? The general definition of ambiance is, a feeling, tone, character and atmosphere of the environment or surrounding influence; or the mood associated with a particular place, person, or thing.

 

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